Digiplay Initiative

Swalwell, Melanie, & Jason Wilson (2008).  The Pleasures of Computer Gaming. 203.

Kingsepp, E. (2007).  Fighting Hyperreality With Hyperreality: History and Death in World War II Digital Games. Games and Culture. 2(4), 366-375. Abstract

Schut, Kevin (2007).  Strategic Simulations and Our Past: The Bias of Computer Games in the Presentation of History. Games and Culture. 2, 213-235. Abstract

Swalwell, Melanie (2007).  The Remembering and the Forgetting of Early Digital Games: From Novelty to Detritus and Back Again. Journal of Visual Culture. 6(2), 255-273. Abstract

McDaniel, R., S. Fiore, A. Greenwood-Ericksen, S. Scielzo, & J. Cannon-Bowers (2006).  Video Games as Learning Tools for Project Management. iDMA. Abstract

de Groot, J. (2006).  Empathy and enfranchisement: Popular histories. Rethinking History. 10, 391-413. Abstract

Veugen, Connie (2006).  Here be dragons. Advent and Prehistory of the Adventure Game.. Tijdschrift voor Mediageschiedenis. Abstract

Taylor, L. N., & C. Martin (2005).  Gaming's Non-Digital Predecessors. The International Digital Media & Arts Association Journal. 1(3), 25-29. Abstract

Yilmaz, Erdal, & Kursat Cagiltay (2005).  History of Digital Games in Turkey. DiGRA 2005 Conference: Changing Views--Worlds in Play. Abstract

Costikyan, Greg (2005).  Game Styles, Innovation, and New Audiences: An Historical View. DiGRA 2005 Conference: Changing Views--Worlds in Play. Abstract

Veugen, Connie (2004).  Here Be Dragons, voorgeschiedenis en ontstaan van Adventure Games. Tijdschrift voor Mediageschiedenis. 7, 77-99. Abstract

Gonzalez, Lauren (2004).  Redefining Games: How Academia Is Reshaping Games of the Future. Abstract

Juul, J. (2003).  The Game, the Player, the World: Looking for a Heart of Gameness. Level Up: Digital Games Research. Abstract

Williams, D. (2003).  The Video Game Lightning Rod. Information, Communication and Society. 6(4), 523-550. Abstract

Au, Wagner James (2002).  Triumph of the mod: Player-created additions to computer games aren't a hobby anymore -- they're the lifeblood of the industry. Abstract